Rap Gods - Available as:
Fine Art Print - Experience this hi-res Iconic artworks with vivid colours and stunning depth using giclée fine art printing technology. Perfect for art lovers, collectors and designers alike.
Paper - 200gsm, Smooth matte finish for a clean, glare-free display.
Sizes - (50x70 cm / 20x28") and (60x80 cm / 24x32")
Poster - Premium 200gsm Semi-Gloss Paper enhances detail and colour.
Size - (60x80 cm / 24x32″)
Framed Poster - Premium 200gsm Semi-Gloss Paper enhances detail and colour (60x80 cm / 24x32″) Ready-to-hang: Includes hanging kit, ready to hang directly on the wall. Frame Material: Responsibly sourced oak and ash wood. Frame Colour: black.
Frame Measurements: 20mm (0.79") thick and wide. Protection: Shatterproof plexiglass protects the poster.
Flat rate delivery is available to UK mainland addresses at £5.50 which is selected during the payment process. If buying multiple items an additional amount will be calculated.
Please allow up to 5 working days for delivery.
Pen, ink, acrylic
Ice Cube
Big Boi
Flavor Flav
Guru
Ice-T
Eminem
Q-Tip
Xzibit
DMC
Snoop Doggy Dogg
KRS-One
2Pac
Redman
Jay-Z
Ol' Dirty Bastard
Kool Keith
Rakim
Dr.Dre
Posdnuos
Nas
Pete Rock
LL Cool J
Big Daddy Kane
Mos Def (Yasiin Bey)
Chuck D
Notorious B.I.G.
Slick Rick
Method Man
Reflecting back on a specific drawing is like stepping into a dream. The central anchor is my focus on the artwork, which quite uniquely enhances the surrounding environment, almost like peripheral vision.
In the year 2000, I’d already been illustrating for a few years — wall murals, caricatures, pets, logos… you name it. I come from a working-class background, so I guess naturally some things aren’t considered a priority. In fact, they can seem a bit delusional. If you’re reading this, please stay with me throughout my other descriptions, as they speak about the experience of creating the artwork… and that might resonate with you too.
The girl I was with at the time lived on the other side of town — two miles there, two miles back, after a day at work. At the end of the night, I’d head home through street lights and shadows, earphones in, listening to Tical by Method Man… it all adds up. (I’ll explain more soon.)
My time available to draw was limited, to say the least. It had to be something that genuinely excited me and that I naturally felt passionate about. I had collection of magazines — The Source and HHC — which featured images I knew by heart: where they were, which ones had a specific feel. I began selecting the images I liked most, always with the enjoyment of drawing in mind.
I wanted to put thought into every stage — from the reference material to the composition, who each artist should be placed next to, and how to create balance throughout the piece.
In a way, this helped develop excitement and motivation because, at the end of each night when I arrived home, I was doing something I couldn’t wait to get into.
It didn’t happen straight away. In the beginning, progress was actually quite slow — maybe because of the intimidating amount of white paper and not really knowing how to fill it.
The Notorious B.I.G., Slick Rick, and Method Man were the first artists I drew, and it was also the first time I experimented with pen and ink. I’m sure you can see what I mean, although it doesn’t change how fond I am of this piece. About a third of the way through, I was finishing one artist each night.
My go-to source for inspiration and energy at that time was the album 2001 by Dr. Dre. The clarity, atmosphere, and creativity was new, whether I listened through headphones or turned the volume up through the bass and treble speakers.
The room wasn’t particularly well lit, so I’d use a lamp, facing it away from the drawing so that when I added ink, I could see the contrast with more clarity and definition.
What surprised me most was the connection I made with the process itself. The more time you spend working on something, the more you discover things that are unique to you.
This piece is titled Rap Gods. It was given that name by the publishers at the time, GB Posters, later known as GB Eye.
I had no further plan for this piece until it was completely finished, and I guess, like any relationship, if it’s a good one, you want to invest in seeing the best of it.
There was a local printing company and, although I knew nothing about printing at the time, I went in to enquire anyway… what’s the worst that can happen?
This was 2001, so 1,000 black-and white prints at approximately A2 size cost around £250. I sent order forms to independent record shops around the country — the ones I found in the Yellow Pages directory. I visited local record shops and wrote to others with a sample of the print. I also decided to send copies to various publishers, and one called back showing interest.
I didn't expect anything, but I was incredibly grateful for their early belief in my work.
The printed version available here is especially accurate, as I’ve gone through many test prints to ensure I’m happy with the final result. So, if you’re one of the many people who once had this on their wall, I highly recommend this version — it looks great.
Rap Gods - Available as:
Fine Art Print - Experience this hi-res Iconic artworks with vivid colours and stunning depth using giclée fine art printing technology. Perfect for art lovers, collectors and designers alike.
Paper - 200gsm, Smooth matte finish for a clean, glare-free display.
Sizes - (50x70 cm / 20x28") and (60x80 cm / 24x32")
Poster - Premium 200gsm Semi-Gloss Paper enhances detail and colour.
Size - (60x80 cm / 24x32″)
Framed Poster - Premium 200gsm Semi-Gloss Paper enhances detail and colour (60x80 cm / 24x32″) Ready-to-hang: Includes hanging kit, ready to hang directly on the wall. Frame Material: Responsibly sourced oak and ash wood. Frame Colour: black.
Frame Measurements: 20mm (0.79") thick and wide. Protection: Shatterproof plexiglass protects the poster.
Flat rate delivery is available to UK mainland addresses at £5.50 which is selected during the payment process. If buying multiple items an additional amount will be calculated.
Please allow up to 5 working days for delivery.
Pen, ink, acrylic
Ice Cube
Big Boi
Flavor Flav
Guru
Ice-T
Eminem
Q-Tip
Xzibit
DMC
Snoop Doggy Dogg
KRS-One
2Pac
Redman
Jay-Z
Ol' Dirty Bastard
Kool Keith
Rakim
Dr.Dre
Posdnuos
Nas
Pete Rock
LL Cool J
Big Daddy Kane
Mos Def (Yasiin Bey)
Chuck D
Notorious B.I.G.
Slick Rick
Method Man
Reflecting back on a specific drawing is like stepping into a dream. The central anchor is my focus on the artwork, which quite uniquely enhances the surrounding environment, almost like peripheral vision.
In the year 2000, I’d already been illustrating for a few years — wall murals, caricatures, pets, logos… you name it. I come from a working-class background, so I guess naturally some things aren’t considered a priority. In fact, they can seem a bit delusional. If you’re reading this, please stay with me throughout my other descriptions, as they speak about the experience of creating the artwork… and that might resonate with you too.
The girl I was with at the time lived on the other side of town — two miles there, two miles back, after a day at work. At the end of the night, I’d head home through street lights and shadows, earphones in, listening to Tical by Method Man… it all adds up. (I’ll explain more soon.)
My time available to draw was limited, to say the least. It had to be something that genuinely excited me and that I naturally felt passionate about. I had collection of magazines — The Source and HHC — which featured images I knew by heart: where they were, which ones had a specific feel. I began selecting the images I liked most, always with the enjoyment of drawing in mind.
I wanted to put thought into every stage — from the reference material to the composition, who each artist should be placed next to, and how to create balance throughout the piece.
In a way, this helped develop excitement and motivation because, at the end of each night when I arrived home, I was doing something I couldn’t wait to get into.
It didn’t happen straight away. In the beginning, progress was actually quite slow — maybe because of the intimidating amount of white paper and not really knowing how to fill it.
The Notorious B.I.G., Slick Rick, and Method Man were the first artists I drew, and it was also the first time I experimented with pen and ink. I’m sure you can see what I mean, although it doesn’t change how fond I am of this piece. About a third of the way through, I was finishing one artist each night.
My go-to source for inspiration and energy at that time was the album 2001 by Dr. Dre. The clarity, atmosphere, and creativity was new, whether I listened through headphones or turned the volume up through the bass and treble speakers.
The room wasn’t particularly well lit, so I’d use a lamp, facing it away from the drawing so that when I added ink, I could see the contrast with more clarity and definition.
What surprised me most was the connection I made with the process itself. The more time you spend working on something, the more you discover things that are unique to you.
This piece is titled Rap Gods. It was given that name by the publishers at the time, GB Posters, later known as GB Eye.
I had no further plan for this piece until it was completely finished, and I guess, like any relationship, if it’s a good one, you want to invest in seeing the best of it.
There was a local printing company and, although I knew nothing about printing at the time, I went in to enquire anyway… what’s the worst that can happen?
This was 2001, so 1,000 black-and white prints at approximately A2 size cost around £250. I sent order forms to independent record shops around the country — the ones I found in the Yellow Pages directory. I visited local record shops and wrote to others with a sample of the print. I also decided to send copies to various publishers, and one called back showing interest.
I didn't expect anything, but I was incredibly grateful for their early belief in my work.
The printed version available here is especially accurate, as I’ve gone through many test prints to ensure I’m happy with the final result. So, if you’re one of the many people who once had this on their wall, I highly recommend this version — it looks great.
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